LomoChrome Purple XR

some months ago in a foreign city, i stumbled upon a film cooler selling a plethora of freshly produced film. as i had been out of the analog photography game for the longest of time, most of the selections didn't interest me too much until i saw boxes of Lomography's LomoChrome Purple XR in 35mm. at 1500yen a pop, i hesitated a little bit before making my purchase. however, having recalled how the LomoChrome Purple XR pretty much emulates the feel of the Kodak Aerochrome, i bid adieu to 1500yen and brought a roll of the LomoChrome Purple XR home with me.

the biggest challenge for yours truly was to find subjects worthy of such a pricey roll of film. to get the best out of the film's potential was to photograph greenery, of which might be plenty about here in Kuala Lumpur south, however i had already photographed said places to death in my various photo walks in the past. same subjects be damned, but the purple experimentation meant a different take on the same subject, which i conceded at the end of the day. and drove around i did - with lengthy gaps in between when the mood strikes yours truly right. in total, it took eight months to fully expose the film, which surprisingly wasn't the longest gap between procuring said film and developing it (the award goes to the as-of-yet unexposed expired ISO800 rolls i procured way back in 2010-2011).

lengthy digressions aside, the LomoChrome Purple XR works phenomenally well when exposed properly. having played with various ISO settings ranging from ISO50-400, the results varied from properly exposed to mostly being underexposed. i suspect the underexposure in some of the shots were due to incorrect metering. the underexposure darkens the details to the point of seeming muddy. the occasional overexposure gives the images a turquoise tint akin to a cross-processed slide film which doesn't sit well with me. for the most part, i'm happy with the shots featuring greenery, and especially those featuring different shades and hues of purple and the occasional turquoise to contrast the purple. the grain is acceptable, but becomes prevalent in underexposed shots. correct exposure is key in order to obtain the desired shot - of which i lack for the more constrasty surroundings (strong lights versus shadows).

ultimately the LomoChrome Purple XR was an intriguing experimentation that i would love to explore even more. in fact, one might be hard pressed not to feel the urge to load another one of these babies into your camera after your first roll. though the price might be a turn off for some, it is an unavoidable fact that film is becoming more and more niche, what with the increasing prices of film and the discontinuation of too many film photography staples. despite all the hurdles one faces to enjoy film photography, i believe this roll is the first step in rekindling my love for analog photography. perhaps it is time to finish the remaining 35mm rolls in my dry box, or better yet, procure even more interesting films i've yet to experiment on! such exciting prospects!

Canon AE-1
Lomography LomoChrome XR 50-400

Helios 44-2 2/58 pt. III

here, i whipped it out again, the Helios 44-2 2/58. after some months of absence, and a feeling of ennui that strangely reeks of déjà vu, i once again found myself exploring the capabilities of the 44-2. granted, i had been playing with the lens on and off this year, it didn't feel like that much of an absence until CM pointed out that he hadn't seen this lens since last year. two things came to mind as he made that remark - it is nearly a year since i've first gotten reacquainted with the 44-2; the other thing being the realisation that i've made a number of my own photowalks the past year alone. they're not as fulfilling, but it gets the itch scratched.

nonetheless, this is probably the first time i've seriously field-tested the 44-2. as i've mentioned many times before, the swirly bokeh is to die for, the soft focus is a "feature" i love simply because it helps achieve the ethereal aesthetic i've always hoped to achieve in some of my photographs. but the one quirk that bothered me in the past is the lens' inability to focus to infinity. obviously, this made me unable to take scenery photographs with the Helios 44-2.

until i discovered that it is indeed possible to focus to infinity!

this is achieved by making sure the lens' aperture is set to f/5.6 or above when attempting to focus to infinity. i'm not sure why apertures f/2 to f/4.5 will not produce sharp infinite focus photos, perhaps it's just the quality of the lens. Russian cameras and lenses are not particularly known for quality, but hell, their characteristics and quirks certainly make for some interesting photographs. another thing that completely blew me away was how bloody sharp the images turned out when shot in f/16. i find that not only does the Helios 44-2 make for great portraiture photographs (provided you and your subject are patient), but it makes for a great general purpose photowalk lens. coupled with a full frame camera with higher ISO settings and low noise capabilities, i believe i've found a lens that will remain on my DSLR for a long time to come.

that is, until i choke up the cash to purchase the Helios 40-2 85mm f/1.5. that lens is an absolute killer.

the tourist

i cannot recall the last time i walked the streets of Buki Bintang, but the one occasion i remember with vivid clarity was that time CM and i were nearly locked-in in Pudu prison. all that's left now is the iconic gates of the former prison and barriers advertising the promise of a new an exciting commercial hub in place of the ghostly halls and cells of Pudu prison. the piece of land remains undeveloped, rife with speculation that nobody with a healthy dose of superstition would ever want to develop any properties there.

the missing prison is merely one facet of the changing face of Bukit Bintang. walking along Jalan Sultan Ismail towards the direction of Pavilion, i am amazed by the lights and life that populate the streets. Arabic vendors line the streets, tempting me to dub that particular stretch the "Silk Road" of Bukit Bintang. as one approaches the intersection of Jalan Sultan Ismail and Jalan Bukit Bintang, a large LED cube greets the pedestrian with images of an aged Eric Cantona / Saddam Hussein promoting some telco company. again, i am tempted to call this intersection the "Times Square" of Bukit Bintang.

all these attempts to compare parts of Bukit Bintang with other locations is ultimately meaningless. just a passing first impression of somebody who hardly comes to this part of town and is awestruck by how much it has changed over the past five years. my experience sums up the phrase "to meet again for the first time". i know the place, but it has mutated to a form nearly unrecognisable that it becomes somewhat comedic for me. i was a tourist, returning years later after the fact.

in all fairness, i had had thoughts of photo walking the streets of Kuala Lumpur in the past, but they never come to fruition no thanks to procrastination and a general lack of a sense of safety in the city. luck would have it that i found company and a reason to visit the area, but unfortunately a camera was not in hand. all i took was this one photograph of my company, another "tourist" who had never walked the streets of Bukit Bintang. to experience a city, is to walk the streets and savour the atmosphere. Kuala Lumpur is no different - it is alive, albeit in a form barely recognisable but still charming in its own way. i still hope to walk the streets of KL with camera in hand, although i'll probably need a bodyguard or two if i don't want to get mugged.