Helios 44-2 2/58 pt. III

here, i whipped it out again, the Helios 44-2 2/58. after some months of absence, and a feeling of ennui that strangely reeks of déjà vu, i once again found myself exploring the capabilities of the 44-2. granted, i had been playing with the lens on and off this year, it didn't feel like that much of an absence until CM pointed out that he hadn't seen this lens since last year. two things came to mind as he made that remark - it is nearly a year since i've first gotten reacquainted with the 44-2; the other thing being the realisation that i've made a number of my own photowalks the past year alone. they're not as fulfilling, but it gets the itch scratched.

nonetheless, this is probably the first time i've seriously field-tested the 44-2. as i've mentioned many times before, the swirly bokeh is to die for, the soft focus is a "feature" i love simply because it helps achieve the ethereal aesthetic i've always hoped to achieve in some of my photographs. but the one quirk that bothered me in the past is the lens' inability to focus to infinity. obviously, this made me unable to take scenery photographs with the Helios 44-2.

until i discovered that it is indeed possible to focus to infinity!

this is achieved by making sure the lens' aperture is set to f/5.6 or above when attempting to focus to infinity. i'm not sure why apertures f/2 to f/4.5 will not produce sharp infinite focus photos, perhaps it's just the quality of the lens. Russian cameras and lenses are not particularly known for quality, but hell, their characteristics and quirks certainly make for some interesting photographs. another thing that completely blew me away was how bloody sharp the images turned out when shot in f/16. i find that not only does the Helios 44-2 make for great portraiture photographs (provided you and your subject are patient), but it makes for a great general purpose photowalk lens. coupled with a full frame camera with higher ISO settings and low noise capabilities, i believe i've found a lens that will remain on my DSLR for a long time to come.

that is, until i choke up the cash to purchase the Helios 40-2 85mm f/1.5. that lens is an absolute killer.

the tourist

i cannot recall the last time i walked the streets of Buki Bintang, but the one occasion i remember with vivid clarity was that time CM and i were nearly locked-in in Pudu prison. all that's left now is the iconic gates of the former prison and barriers advertising the promise of a new an exciting commercial hub in place of the ghostly halls and cells of Pudu prison. the piece of land remains undeveloped, rife with speculation that nobody with a healthy dose of superstition would ever want to develop any properties there.

the missing prison is merely one facet of the changing face of Bukit Bintang. walking along Jalan Sultan Ismail towards the direction of Pavilion, i am amazed by the lights and life that populate the streets. Arabic vendors line the streets, tempting me to dub that particular stretch the "Silk Road" of Bukit Bintang. as one approaches the intersection of Jalan Sultan Ismail and Jalan Bukit Bintang, a large LED cube greets the pedestrian with images of an aged Eric Cantona / Saddam Hussein promoting some telco company. again, i am tempted to call this intersection the "Times Square" of Bukit Bintang.

all these attempts to compare parts of Bukit Bintang with other locations is ultimately meaningless. just a passing first impression of somebody who hardly comes to this part of town and is awestruck by how much it has changed over the past five years. my experience sums up the phrase "to meet again for the first time". i know the place, but it has mutated to a form nearly unrecognisable that it becomes somewhat comedic for me. i was a tourist, returning years later after the fact.

in all fairness, i had had thoughts of photo walking the streets of Kuala Lumpur in the past, but they never come to fruition no thanks to procrastination and a general lack of a sense of safety in the city. luck would have it that i found company and a reason to visit the area, but unfortunately a camera was not in hand. all i took was this one photograph of my company, another "tourist" who had never walked the streets of Bukit Bintang. to experience a city, is to walk the streets and savour the atmosphere. Kuala Lumpur is no different - it is alive, albeit in a form barely recognisable but still charming in its own way. i still hope to walk the streets of KL with camera in hand, although i'll probably need a bodyguard or two if i don't want to get mugged.

Lost Photos

the Diana Baby 110 - always the forgotten child in my repertoire of Lomography camera. granted, it is a Diana camera, and my feelings re: this particular camera tend to sway towards the negative spectrum on most days when i add it to my arsenal. still, it occupies a space in my bookshelf, with at least one roll of 110 film left to expose. my first exploratory roll was met with mixed results, and my second roll mostly reflects how i initially felt about the camera. it took me a little bit more than a year to completely expose this roll, not merely because of how life gets in the way of taking photographs, but also because i cannot for the life of me find a suitable occasion to take this camera out of its dust-ridden shelf. my experimentation with a jerry-rigged flash didn't come to fruition post-roll one, so that automatically relegates the camera as an "outdoor-only" camera. even in mildly shaded areas, the pictures come out too washed out for my tastes. not only that, my initial thoughts re: the quality of the photographs are reaffirmed with the developing of the second roll - it's just not worth the extra effort anymore. perhaps that is why it took me so long to expose the roll. i'm already half-expecting the results to be shitty even before i make the exposure.

that might certainly be the elitist DSLR snob in me ranting on about a toy camera. for what it's worth, the Diana Baby 110 is an oddity in my repertoire (aside from the Lomography Konstruktor that failed miserably to properly expose its exploratory roll, a fault in the design and construction, perhaps). it probably makes for a pretty sweet keychain. as for that final roll of 110 film - there might be a time when a suitable project or occasion would call for its services, but for the time being, it sits in my drybox waiting the reckoning. or not.